![]() Writing proficiency is required for a passing grade in this course. ![]() Lectures, readings, and films will explore connections between the past and the present and provide students a forum to express their own viewpoints on the legacy of this history. We will also examine relations among Latinx and European immigrants, and consider the affects of US intervention and imperialism in Latin America on US Latinx communities. Students will become familiar with issues that have affected different Latinx populations in the United States: migration patterns, cultural interaction, community and cultural formation and racial formations. Although we will examine communities comprised of people of Central and South American descent, the focus of this course will be on the four largest Latinx groups: those of Mexican, Puerto Rican, Cuban and Dominican descent. This course focuses on the history of people of Latin American descent (Latinas/os) living in the United States. In doing so, we will learn to mobilize our readings as theoretical and historical tools in interpreting the contemporary and interrogating our responsibility toward the themes of the class. Instead of resolving these debates, our problem-based approach will emphasize that texts are intellectual and political acts whose scope and framing bear on present problematics. In order to excavate this assumption, we will survey debates on 1) the origin and history of race and racism (from the Ancients to the early moderns) 2) the deployment of categories in contested proximity to race (from class to gender) and 3) the development of different conceptual paradigms (from double consciousness to political ontology) to parse the relationship between race and the world. We will begin with the working assumption that slavery is at the root of the problem of race and racism. This course offers a critical introduction to the conditions of possibility for modern racial thinking, with particular emphasis on racial slavery and anti-blackness. While paying attention to the seemingly endless possibilities associated with queer theory, this course is profoundly committed to as Sedgwick argues to keep “same-sex sexual expression at “the terms definitional center,” as not to “dematerialize any possibility of queerness itself.”. Although this course is organized thematically across a number of disciplines, it also resists a kind of stringent categorization or segmentation- mirroring the energy that has characterized this interdisciplinary field. Game Design: Matt Tolman, Martin Wallace, Gavan BrownĪrt & Graphic Design: Damien Mammoliti, Mr.In her essay “Queer and Now,” Eve Kosofsky Sedgwick offers a rumination on the political, epistemological and pedagogical imports of “queer” at that moment: “ That’s one of the things that ‘queer’ can refer to: the open mesh of possibilities, gaps, overlaps, dissonances and resonances, lapses and excesses of meaning when the constituent elements of anyone’s gender, of anyone’s sexuality aren’t made (or can’t be made) to signify monolithically.” This 3 credit hour course, takes up Sedgwick’s suggestion of the possibilities of “queer” to consider the development of queer theory, queer studies, and queer politics. Other features include a custom storage tray and black died chitboard for all tiles and tokens. In the Deluxe Edition of the Brass Birmingham, you will receive a set of 78 Iron Clays Game Counters to replace the chitboard money tokens. New actions, mechanics and strategies to discover.3 new industry types include Breweries, Potteries and Manufactured goods.New canal/rail scoring creates tactics in where you place them.Dynamic board setup makes each game unfold completely differently.A finely brewed full stand-alone sequel to the original game.One of the highest rated board games on.But Brass: Birmingham creates an entirely new and unique experience from its predecessor with a new mechanics, new industries, and new strategies waiting for you to discover. If you’ve played Brass in the past, learning how to play Birmingham will be a snap as it uses most of the same core ruleset. Cuddington, elegant graphic design, and high quality components. Unlike its predicessor, Brass: Birmingham features a dynamic board setup, making each game unfold completely differently each time you play.īrass: Birmingham features meticulously crafted illustrations by Damien Mammoliti and Mr. Brass: Birmingham features a deceptively straightforward rule set which creates interesting gameplay dynamics including a highly innovative variable turn order system and robust gift economy.
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